Ved Nayar
Born in Lyallpur in 1933 in pre-Partition Punjab, Ved Nayar’s earliest creative urges were born out of his close engagement with the jungle around his house.

He moved to Delhi as a teenager following Partition and obtained a B.A. degree from the city’s St. Stephen’s College in 1952. He then joined Delhi Polytechnic in 1957 and participated in Lalit Kala Akademi’s national exhibition the same year.

Beginning as a painter, Nayar later included sculpture, installation, archival digital print and photography in his repertoire. The abstract derivations with ritual connotations in the artist’s early paintings gradually evolved into an iconic figure of an elongated human form, mostly female, who dwelt in the intermediate space between the earth and the skies. His art addresses human and environmental concerns, issues of mass consumerism, and cultural globalisation. At the same time, his engagement with man’s quest for immortality sweeps away cultural dimensions of the sacred and the profane, the local and the global.

He has held many solo exhibitions in India and participated in several group and international exhibitions including ‘Pictorial Space’ curated by Geeta Kapur, ‘Wounds’ by CIMA, ‘To Encounter Others’, Germany, ‘Contemporary Indian Art’, Japan, 5th and 8th Triennial – India and International workshop on Art and Ecology – Max Mueller, New Delhi.

Nayar won the 1981 Lalit Kala Akademi national award for his sculpture Mankind-2101. In 1988, he designed the citation trophy for the Jawaharlal Nehru Award for International Understanding.

Married to artist Gogi Saroj Pal, Nayar lives and works in New Delhi.